Facial Recognition Nº19


Introducing L.M.Noonan, Australian Collagist

/DRI:M/ARTZ: I just want to start off by saying that I admire your art—both your collages and poetry. NOONAN: Well, thank you. As always, I am surprised and delighted when someone ‘gets’ my work. I’m concerned that a work loses its mystery if explained beyond the basics of how it was made and maybe the mindset or circumstances for the artist at the time of making it. So pardon my anxiety at any imminent autopsy. However, it can only be a good thing if a work provokes questions and/or outrage or indeed any response beyond a yawn.

DA: I have been working in the medium for just about two years and I’m excited to see my artistic practice evolve. This past year I have made an effort to put myself out there and get seen. Posting on a regular basis, applying to open calls, zines, basically doing the work! What advice do you have for someone like myself who is just in the beginning stages of her art career? LMN: I asked a similar question of a friend, a highly successful painter. His sage advice: "be careful what you wish for," elaborating that if I found fame and whatever else I was seeking I could lose my artistic freedom. Clients, curators and fans paradoxically dislike change whilst yearning for something new and exciting! You have been doing all the right things—especially the networking part; my reclusive nature works against me in this instance. Look inside yourself—and be honest because no one will overhear your answers: if you are never again invited to exhibit, if you are always overlooked and at best only give away your art, will you continue to make it and find other ways to put it out there? Consistency is underrated, but it underpins an identifiable mindset to other professionals and your peers. I think of making art as my job, albeit one that I’m paid very little for.